Social media video brief template

Placements are deliverables: how one social video becomes seven files, and what sound-off by default decides.

Start this briefAbout 90 seconds. No account.

Social video is the format where the gap between what the client says and what the producer has to make is widest. The client says "a video for social". The producer hears four aspect ratios, three duration ceilings, two sound defaults and a set of safe areas, multiplied by however many languages are involved. Nobody is wrong; the brief just has not translated one into the other. That translation is what this template does.

Placements are deliverables

Instagram Reels, Stories, TikTok, the Meta feed, LinkedIn, YouTube pre-roll: each is a placement with its own specification, and the specification is not a matter of opinion. Reels and TikTok are 9:16 at 1080 by 1920, sound on. The Meta feed is 4:5 and plays silent by default, so it needs captions. LinkedIn is the same. YouTube is 16:9. Pick the placements and the brief writes those specifications out, along with the count of deliverables they add up to, because three placements briefed as one video is a threefold deliverable count nobody priced.

Which cut leads

When placements span more than one ratio, one of them is the hero and the rest are adapted from it. This is not a detail. A 9:16 hero re-framed to 16:9 is a different film from a 16:9 hero cropped to 9:16, and the difference is usually a shoot decision about how the frame is composed. Decide it in the brief and the shoot is planned for it. Decide it afterwards and something has to be re-shot.

Sound off is the default in a feed

Most social video is watched silent, in a feed, with the thumb ready to scroll. That decides three things at once: captions are mandatory, the first two seconds have to work without sound, and anything that depends on a voiceover to make sense will not make sense. If the brief says there is a voiceover, it should also say what the film looks like with the sound off.

Versions multiply

Two languages doubles the subtitle files and means the text layers have to be kept separate in the edit. Three placements in two languages is seven deliverables including the master. The arithmetic is simple and it is almost never done in the brief, which is why this template does it as you tap.

Technique decides the budget

A social set can be a motion-graphics treatment of existing footage, a 2D animation, or a shoot. The cost range across those three is roughly four to one, and "not sure yet" is an honest answer that should be recorded as an open question rather than silently resolved to the cheapest reading.

The one thing that must not be got wrong

On social it is usually a brand rule that the platform makes hard: the logo that must survive the Reels interface overlay, the product that must be readable at thumbnail size. Put it at the top, in a box.

The questions, and what goes wrong without them

  1. Scope
    What are you making?
    Without it the designer prices the smallest reading of the job and everything after is a change request.
  2. Scope
    Where will it play?
    Each placement is its own deliverable with its own ratio, duration and sound rules. Three placements briefed as one film is a threefold deliverable count nobody priced.
  3. Scope
    Which cut is the hero?only when it applies
    A 9:16 hero re-framed to 16:9 is a different film from the reverse, and the difference is usually a shoot decision.
  4. Craft
    How is it made?
    Live action and 3D can differ four times over in cost. Left open, the designer quotes for the cheapest reading.
  5. Craft
    What does this need?only when it applies
    A shoot day implies a producer; talent implies casting; a location implies permits. Unnamed, these arrive as extras.
  6. Craft
    What kind of 3D?only when it applies
    Photoreal 3D built from scratch is a different budget from stylised work on existing models.
  7. Craft
    Sound
    A voice means a script someone has to write. Licensed music means a territory and a term someone has to negotiate.
  8. Look
    Pick what you like
    People are unreliable at describing taste and reliable at recognising it. Five picks say more than a paragraph of adjectives.
  9. Look
    Your picks pull two ways. Which is closer?only when it applies
    When the references contradict each other, the designer has to pick a side. Better that you do.
  10. Look
    What exists, and what must appear?
    Every unticked asset is a line in the estimate. Skipping this produces the phrase 'we assumed you had that'.
  11. Look
    Who is this for?
    A film for existing customers and a film for people who have never heard of you are different films.
  12. Practicalities
    Budget range
    A band is a signal about which kind of job is on the table, not a commitment. Without one the designer guesses.
  13. Practicalities
    When does it go live?
    A date only means something next to the minimum production window. If they do not fit, better to know now.
  14. Practicalities
    Who signs it off?
    The number of approvers, with a named tiebreak, predicts revision rounds better than anything else in the brief.
  15. Practicalities
    The one thing that must not be got wrong
    Every project has one. It is rarely written down because it feels obvious to the person who knows it.

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